Completed in 1875, “At Dawn” captures the essence of the era that history remembers as The Gilded Age–a time of explosive wealth and riches for the privileged few and back-breaking poorly compensated toil for the many.
“At Dawn” shows us something like a snapshot from the time–an early morning scene on a city sidewalk.
Bleary eyed and well-dressed revelers pouring out of a club dominate the scene.
The men wear black suits and top hats; the women, long and brightly colored gowns.
The group is obviously drunk, unsteady. They look like they might tumble into the street at any moment.
In contrast, the figures on the remainder of the canvas stand sober and upright.
They are workers and laborers at the start of a new day.
They’re dressed modestly, practically.
They appear to be yielding the sidewalk to the revelers.
None of the figures make eye-contact with one another, but they definitely see each other.
A reveler glances toward the workers as he descends the club’s steps.
Is it contempt in his eyes, or shame? Disgust with the common folk or with himself?
A working class mom on her husband’s arm stares at a woman’s dress.
Maybe she’s jealous. Maybe she recognizes the flowers the woman carries.
Her son also takes in the scene while his father looks at him.
What must the young boy be thinking?
What thoughts are on the father’s mind?
The contrast between the two groups is the painting’s greatest source of energy.
Hermans keeps the two, who are emblematic of the proverbial “haves” and “have nots,” at a distance from one another, yet fills the space between them with tension, a tension that was a hot topic of conversation and commentary in Europe and the U.S. as he painted.
At that time, people were beginning to wonder if such incredible inequality was compatible with the basic functions of government, Christian virtue, or any notion of a civilized society.
Many believed it wasn’t and that what they were living through was unsustainable.
Writing just a few years after the painting was completed, for example, Henry George, one of the era’s best selling authors, wrote in Progress and Poverty,
In our time, as in times before, creep on the insidious forces that, producing inequality, destroy Liberty . . .It is not enough that men should vote; it is not enough that they should be theoretically equal before the law. They must have liberty to avail themselves of the opportunities and means of life; they must stand on equal terms with reference to the bounty of nature. Either this, or Liberty withdraws her light! Either this, or darkness comes on, and the very forces that progress has evolved turn to powers that work destruction.At its premier, “At Dawn” caused a stir. It was controversial and some of Hermans’ peers wondered if the piece “had a socialist reach.”
The artist always denied that charge, however, noting that he had only painted a scene that he had witnessed one morning on a city sidewalk.
He remarked,
I tried to be as sincere as possible, while avoiding being both too sentimental and too realistic. The workers of the foreground, refreshed, peacefully go to work in the morning, while the dissolute, dressed in black, stagger noisily out of the golden pleasure-shacks where they spent the night….I never thought of ennobling the worker by showing the decline of [the] debauched. (quoted by Arthur Chandler)While he might’ve resisted being pigeon-holed politically, I think it’s clear that Hermans wasn’t just an indifferent observer.
He had a point of view.
Whatever his politics were, the artist saw value in the stories of, or in his case, pictures of, the working class, and in an era when the rich and powerful regarded themselves as the rightful Masters of the Universe, just bearing witness to the humanity and dignity of those who worked was an inherently political and moral act.
Maybe there’s even a clue about the artist’s perspective right there in the title.
“At Dawn”--sure, that’s when the golden pleasure shacks close and the work day begins, but that’s also the time when many people wake up.
Perhaps the artist sensed it was time for the sleeping world to open its eyes.
Last Sunday I began a sermon series based on the favorable comparison Jesus made between his disciples and salt.
“You are the salt of the earth,” said the Lord.
I told you that we’d be building an acronym using the letters in salt (s.a.l.t.) to put a spotlight on qualities and characteristics that are intrinsic to the discipleship Jesus desires.
Last week we heard that S is for Surrender because surrender is what Jesus is talking about when he tells us to take up our cross and follow him. Today, A is for Awake because Jesus needs awake, alert, and attentive followers to share Good News in a hurting world.
Awake, O sleeper, rise from death, and Christ shall give you light;That’s the lyric of a hymn based on Ephesians 5:14 that invites us to note the connection between our spiritual posture or positioning and our effectiveness as disciples.so learn his love, its length and breadth, its fullness, depth, and height.
Called to reflect God’s light into the world, we must, first, be in alignment with God’s love.
Pastor Sammy Alfaro of Iglesia Nuevo Dia in Phoenix explains,
The mission [given disciples in Ephesians 5] is not to change the world through our own efforts or wisdom. But rather, believers reflect the light of the gospel into a dark world by allowing Christ, who is the Light, to shine on us!You know it to be true that a mirror kept in a dark room will remain as dark as its surroundings, but when it is brought into the light, it can shine with the brightness of the sun.
Awake, alert, and attentive souls, therefore, will engage in truth telling, wisdom seeking, forgiveness practicing, peace making work in order to place themselves and their Church in the best position to powerfully reflect God’s light.
This, I think, gets at what it means to be “awake” in the New Testament sense of the word.
It’s about understanding that we are the best, most radiant, most effective, most faithful, “saltiest” version of ourselves when we are awash in the light that shines from Jesus, then, equipped with such understanding, doing whatever we can, working with God’s grace, to be where Jesus is, blessing who he blesses, and serving as he serves.
One way to read the Parable of the Good Samaritan is to see it as a wake up call for people who are sleeping on this point.
The story of a wounded traveler who was ignored by two members of his own community, yet who received lifesaving help from one of his community’s supposed enemies–a Samaritan–is one of the most beloved stories Jesus ever told.
The parable emphasizes generosity, compassion, and mercy, and it is, justifiably, revered for these reasons.
But there’s more to it than that, a message bound up in what prompted Jesus to tell the story in the first place.
Luke tells us,
An expert in the law stood up to test Jesus. “Teacher,” he said, “what must I do to inherit eternal life?” He said to him, “What is written in the law? What do you read there?” He answered, “You shall love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind and your neighbor as yourself.” And he said to him, “You have given the right answer; do this, and you will live.”The man’s self-serving question revealed to Jesus that something essential was potentially missing from his understanding of life with God.But wanting to vindicate [or justify] himself, he asked Jesus, “And who is my neighbor?” (Luke 10:25-29)
Even though he knew the right words to say and the right scripture to quote, he seemed to lack an awakened heart that would make that knowledge useful or efficacious.
He was acting as though all of this was about a set of propositions to be affirmed, rather than a humble disposition before God to be lived.
In other words, he was asleep and the parable was his alarm clock.
Jesus asked,
Which of these three, do you think, was a neighbor to the man who fell into the hands of the robbers?” He said, “The one who showed him mercy.” Jesus said to him, “Go and do likewise.” (Luke 10:36-37)Hearing this wake up call, it’s also time for you and me to open our eyes.
Trying to be a Christian or a Church without tending to a deep connection with Jesus is about as useful as a mirror kept in a dark room.
But our destiny, our calling, our mission, our duty is to come into the light and shine.
Awakened souls will do whatever they can, therefore, working with God’s grace, to be where Jesus is, blessing who he blesses, and serving as he serves because we are the best, most radiant, most effective, most faithful, “saltiest” version of ourselves when we are awash in the light that shines from him.
A is for Awake.
Thanks be to God. Amen.
Image: Hermans, Charles, 1839-1924. At Dawn, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN.



